When he first saw their new house Bruno's eyes opened wide, his mouth made the shape of an O and his arms stretched out at his sides. Everything about it seemed to be the exact opposite of their old home and he couldn't believe that they were really going to live there. The house in Berlin had stood on a quiet street and alongside it were a handful of other big houses like his own. It was always nice to look at them because they were almost the same as his house but not quite. Other boys lived in them who he played with (if they were friends) or steered clear of (if they were trouble).

The new house, however, stood all on its own in an empty, desolate place and there were no other houses anywhere to be seen, which meant there would be other families around and no other boys to play with, neither friends nor trouble. The house in Berlin was enormous, and even though he'd lived there for nine years he was still able to find nooks and crannies that he hadn't fully finished exploring yet. There were even whole rooms-such as Father's office, which was Out of Bounds At All Times And No Exceptions-that he had barely been inside.

However, the new house had only three floors: a top floor where all three bedrooms were and only one bathroom, a ground floor with a kitchen, a dining room and a new office for Father (which, he presumed, had the same restrictions as the old one), and a basement where the house help slept.

All around the house in Berlin were other streets of large houses, and when you walked towards the centre of town there were always people strolling along and stopping to chat with each other or rushing around and saying they had no time to stop, not today, not when they had a hundred and one things to do. There were shops with bright store fronts, and fruit and vegetable stalls with big trays piled high with cabbages, carrots, cauliflowers and corn. Sometimes he liked to stand in front of these stalls and close his eyes and breathe in their aromas, feeling his head grow dizzy with the missed scents of sweetness and life. But there were no other streets around the new house, no one strolling along or rushing around, and definitely no shops or fruit and vegetable stalls. When he closed his eyes, everything around him just felt empty and cold, as if he was in the loneliest place in the world.

There was something about the new house that made Bruno think that no one ever laughed there; that there was nothing to laugh at and nothing to laugh at and nothing to be happy about.

'I think this was a bad idea,' said Bruno a few hours after they arrived, while Maria was unpacking his suitcases upstairs. (Maria wasn't the only house help at the new house either: there were three others who only ever spoke to each other in whispering voices. There was an old man too who, he was told, was there to prepare the vegetables every day and wait on them at the dinner table, and who looked not only unhappy but also a little angry.)' I think the best thing to do would be to forget all about this and just go back home. We can chalk it up to experience,' he added, a phrase he had learned recently and was determined to use a often as possible.

Mother smiled. 'I have another phrase for you,' she said. 'It's that we have to make the best of a bad situation.'

'Well, I don't know that we do,' said Bruno. 'i think you should just tell Father that you've changed your mind and, well, if we have to stay here for the rest of the day and have dinner here this evening and sleep here tonight because we're all tired, then that's all right, but we should probably get up early in the morning if we're to make it back to Berlin by tea-time tomorrow.'

Mother sighed. 'Bruno, why don't you just go upstairs and help Maria unpack?' she asked.

'But there's no point unpacking if we're only going to-'

'Bruno, just do it, please!' snapped Mother, because apparently it was all right if she interrupted him, but it didn't work the other way round. 'We're here, we've arrived, this is our home for the foreseeable future and we just have to make the best of things. Do you understand me?'

He didn't understand what the 'foreseeable future' meant and told her so.

'It means that this is where we live now, Bruno,' said Mother. 'And that's an end to it.'

Bruno couldn't understand how this had all come about. One day he was perfectly content, playing at home, with three best friends for life, sliding down banisters, trying to stand on his tiptoes to see right across Berlin, and he was stuck here in this cold, nasty house, where no one looked as if they could ever be cheerful again.

'Bruno, I want you to go upstairs and unpack and I want you to do it now,' said Mother in an unfriendly voice, and he knew that she meant business so he turned round and marched away without another word.

On his floor there were just four doors, two on either side, facing each other. A door into his room, a door into Gretel's room, a door into Mother and Father's room, and a door into the bathroom.

'This isn't home and it never will be,' he muttered under his breath as he went through his own door to find all his clothes scattered on the bed and the boxes of toys and books not even unpacked yet. It was obvious that Maria did not have her priorities right.

'Mother sent me to help,' he said quietly. Maria nodded and pointed towards a big bag that contained all his socks and vests and underpants.

'If you sort that lot out, you could put them in the chest of drawers over there,' she said, pointing towards an ugly chest that stood across the room beside a mirror that was covered in dust.

'What do you think of all this, Maria?' he asked after a long silence because he had always liked Maria and felt as if she was one of the family.

'All what?' she asked.

'This,' he said as if it was the most obvious thing in the world. 'Coming to a place like this. Don't you think we've made a big mistake?'

'That's not for me to say,' said Maria. 'Your mother has explained to you about your father's job and-'

'Oh, I'm tired of hearing about Father's job this and Father's job that. Well, if Father's job means that we have to move away from our house and the sliding banister and my three best friends for life, then I think Father should think twice about his job, don't you?'

Just at that moment there was a creak outside in the hallway and Bruno looked up to see the door of Mother and Father's room opening slightly. He froze, unable to move for a moment. Mother was still downstairs, which meant that Father was in there and he might have heard everything that Bruno had just said. He watched the door, hardly daring to breathe, wondering whether Father might come through it and take him downstairs for a serious talking-to.

The door opened wider and Bruno stepped back as a figure appeared, but it wasn't Father. It was a much younger man, and not as tall as Father either, but he wore the same type of uniform, only without as many decorations on it. He was carrying a box in his hands and walking towards the staircase. He gave Bruno a quick nod and continued on his way.

'Who was that?' asked Bruno. The young man had seemed so serious and busy that he assumed he must be someone very important.

'One of your father's soldiers, I suppose,' said Maria. 'We'll get to them in time.'

'I don't think I like him,' said Bruno. 'He was too serious. I don't even think there's going to be anyone to play with other than Gretel, and what fun is that after all? She's Hopeless Case!'

He felt as if he was about to cry again but stopped himself. He looked around the room without fully lifting his eyes up from the ground, trying to see whether there was anything of interest to be found. There wasn't. Or there didn't seem to be. But then one thing caught his eye. Over in the corner of the room opposite the door, there was a window in the ceiling that stretched down into the wall.

He walked slowly towards it, hoping that from here he might be able to see all the way back to Berlin and his house and the streets around it and the tables where the people sat and told each other hilarious stories.

John Boyne (b. 1971) is an Irish novelist. He has written ten novels for adults and five for children, and a colection of short stories, Beneath the Earth. Boyne has received several awards for his work, including the Hennessy Literary 'Hall of fame' Award in 2012. The Boy in the Striped Pyjamas became a best seller and was adapted into a film of the same name. 

steered clear : kept away from, avoided

desolate : uninhabited; seeming as if it is empty

dizzy : lightheaded, feeling as if one is spinning round

foreseable : able to be predicted

banister : handrail at the side of a staircase

taking to : scolding